Friday, May 09, 2008

Those Lazy Days of Summer

New at NightsAndWeekends.com Since Last Week:
Speed Racer
Redbelt
Made of Honor

May seems to be a pretty sleepy month for movies. And by that, I don’t mean that the movies are boring. I just mean that there aren’t a lot of them. For instance, last week, two movies opened (in wide release, that is): Iron Man and Made of Honor. This week, it’s What Happens in Vegas and Speed Racer. Next week, it’s just Prince Caspian. The week after, it’s Indiana Jones. In other words, all kinds of big movies that no one wants to try to battle at the box office. So while each week brings an exciting new adventure for us critics, they’re few and far between.

This week, we had just two screenings—both on Tuesday. On Tuesday morning, we were scheduled to see What Happens in Vegas at The Other Theater (the one where we rarely have morning screenings—but where we totally prefer to have them). Since it’s much closer to home, that meant that I could leave at the same time and still make a stop at the nearby Tim Horton’s. It’s a good thing that I had plenty of time, though—because the poor kid working the counter clearly had no idea what he was doing. He greeted me when I walked in and asked what he could get me, and I said, “I’ll have a chocolate chip muffin…” and I paused to let him do whatever he needed to do. Instead, he just stared at me. So I went on. “…And a small hazelnut iced coffee with no cream and a little bit of sugar.”

His response: “A chocolate chip muffin.”

At that point, I knew I was in trouble. This one took a whole lot of explaining on my part—and when I walked out, I ended up with a regular iced coffee with no nothin’, but I wasn’t about to complain. The movie would be over by the time I got what I wanted.

But at least I had my muffin. And some sort of coffee.

When I got to the parking lot, David was already there, eating a breakfast burrito in his car. (I’ve mentioned that film critics have a glamorous life, right?) And Jason had just followed me from the Tim Horton’s drive-thru. So we gathered in the lobby to wait for the others.

Apparently, everyone was a bit burnt out after seeing Made of Honor last week—because very few people showed up for the screening. And when it began, I, too, was a little (okay…more than a little) worried. But, fortunately, it turned out to be much better than Made of Honor (not that the bar was set all that high).

After the screening, we all went our separate ways, heading back to our offices to try to write something up before racing back to the theater again that night for Speed Racer.

Since most of our evening screenings have been at the same time and same place lately, I didn’t even think to double-check the time of the screening—until we’d finished dinner. It was then that I realized that the screening was at 7—not 7:30—and we had to race to the theater. I called David to ask him to save us seats, and we headed out—dirty dishes all over the kitchen. It looked like a tornado had just gone through—but we had places to be.

Of course, we were still there plenty early. So no worries there. We were, however, displaced from our usual seats—this time, not by the usual rep, complete with entourage, but by one of our own. He had taken the center seats, leaving the rest of us either to split up (which sucks—but we do it if we have to) or to sit at the very side of the theater, right by the steps (which would mean that half of the movie would be blocked out by the constant parade of kids heading to and from the bathroom). Though Jason asked him politely if he could move down just a couple of seats, he refused—first stating that they were press seats (apparently assuming that the rest of us were just pushy fanboys) and then announcing, “No, I’m good here.”

It’s not like someone was asking him to sit up front—or way off on the side. They were just asking him to move a seat or two over. We do it all the time. No big deal. But apparently it would have meant the end of the world for this guy. Eventually, Jason got the rep to ask him to move over—which, I’m sure, made us look a little spoiled, but we didn’t really care. At least we didn’t have to deal with the parade of kids headed to the bathroom.

As it turned out, though, not only did the guy refuse to move over, but he also refused to let anyone sit next to him, preferring to save an extra seat for his coat. Now, in many cases, that’s okay. The theater doesn’t always fill up. But, in this case, there were more passes than seats—and there were all kinds of people who were turned away. The reps in charge asked (several times) if anyone had extra seats around them, but he never said a word. So someone was sent home that night because his coat needed a seat. Now, I understand that some critics like to have their “buffer seat”—but even John, who loves his buffer seat, will give it up when there’s a full house. So I’d say that this guy ranks right up there with the one who, upon showing up late for I Am Legend and demanding a seat, told the guy who showed up on time and still got thrown out, “Yeah, like you’d lose your job if you didn’t see this movie.”

So when people tell me that film critics are jerks (and yes, people have), I guess I can’t totally disagree. Some are. But I swear that most of us are totally cool. Really. So please don’t throw things at us or send death threats via email. We’re really not that bad.

But anyway…Speed Racer was, as expected, one crazy movie. Needlessly complex but totally crazy. When we walked out, Bill announced that he was going to go home and stare at a blank screen for a while, just to recover. A few guys complained of headaches. And I couldn’t actually see normal colors—everything was red and blue and swirly polka dots and stuff for hours after the movie ended. But, well, it was kinda fun anyway.

The kids, on the other hand, were barely effected—unless, of course, you count the fact that they came running out of the theater and ran around in circles and bumped into things. Other than that, though, they seemed happy.

After the screening, Kevin had to head back to greet his in-laws, who moved in for a few days to take care of Kevin’s two little guys while Kevin and his wife, Carolyn, brought the third little Kevin into the world. And on Wednesday afternoon, we got the news—along with the unauthorized photos—of the birth of the latest Carr, Nicholas Ronon. In a couple of years, he, too, will be wreaking havoc on movie theaters and running into things—and I look forward to it. Believe it or not, little Carr kids are really quite adorable. Why, just last week, at the Iron Man screening, the youngest walked up to Neil and, out of the blue, announced, “I love you, Neil.” Of course, this is the same child who, right after the Speed Racer screening, also exhibited is talent for farting on cue. So, yeah—cute…and entertaining.

But that’s it for this week—just one crazy day of screenings followed by a few days to recover. Next week will be even quieter. We just have one screening scheduled for next week—Son of Rambow (yeah!). Of course, there’s no Prince Caspian screening—so we’ll all be heading out on Friday to see it at the Movie Tavern (where there will be fried pickles). My brother-in-law, Ed, the coolest brother-in-law ever, will be showing up for a visit on Thursday night, so he’ll get thrown right into the craziness that is known as the COFCA Mafia (AKA “The Internet Mavericks,” AKA “The Rodents”). It’s sure to be quite an adventure for young Ed. Perhaps I’ll drag him away from the Wii long enough to guest blog for me on Monday, following his movie-filled weekend.

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Friday, November 16, 2007

Pre-December Warm-Ups

New at NightsAndWeekends.com Since Last Week:
Mr. Magorium’s Wonder Emporium
Before the Devil Knows You’re Dead

With Thanksgiving right around the corner, things got a little crazy for the members of the Central Ohio Film Critics Association this week, reminding us that December is breathing down our necks.

When we started the week, we had six screenings already scheduled—most of which I was really looking forward to, for a change. So when it was time to get started on Monday morning, I packed my favorite travel mug and headed to our screening of I’m Not There, the marvelously artistic yet totally perplexing film about Bob Dylan.

By that point on Monday morning, I was just happy to get out of the house for a while, for any reason other than to drive to the pharmacy to pick up more gauze or to find something called Betadine. It had been a long weekend for my poor, one-armed husband, and neither of us had gotten much sleep—which is no way to start a hectic week like this one. But despite the recent overabundance of award season disappointments, I was ridiculously upbeat about the week’s offerings. Perhaps I’d just mistaken my husband’s pain meds for my morning multivitamin.

As we walked out of I’m Not There, comparing notes and trying to piece it all together, we were told that we had back-to-back screenings scheduled for Tuesday—one at 11 and another at 1. That took the weekly tally up to seven. And although it was Monday—and I was already exhausted—I briefly considered going to both, as well as the evening screening of Love in the Time of Cholera. But, eventually, I came to my senses.

Also on Monday, a very tragic event occurred. After I rinsed out my favorite travel mug, it fell off the counter, and the handle broke off. I was devastated. I’d asked for the mug last Christmas, after realizing that December would be so much easier to deal with if I had a nice big travel coffee mug. And now, with December right around the corner, I once again found myself mugless. I began to panic—until my one-armed husband studied the bottom of the mug and noticed that it had a lifetime guarantee. I sent the company an email about it, and they offered to replace it. So I would like to thank the kind people at Aladdin who are, at this moment, working to make my December livable.

On Tuesday morning, I dropped my husband off at his office so he could show his face for a while during my 11:00 screening of Mr. Magorium’s Wonder Emporium. Apparently, I was the only one who was actually looking forward to the movie (and I had been ever since I found out that it was written and directed by Zach Helm, who wrote Stranger Than Fiction). But, in the end, I was right. Only John (who will, from this point forward, be known as Scrooge) pulled his nose up at it. And he continued to do so as he and Clay and I walked across the street from the theater for a quick smoothie break. Of course, as I told John, I wasn’t really surprised that he hated Magorium (which, incidentally, he dubbed “Dumborium”), since he tends to prefer slow movies that go nowhere—like Before the Devil Knows You’re Dead. But he continued to get more and more adamant as we sipped our smoothies. From now on, John is cut off from ginseng smoothies.

On Tuesday night, I had every intention of seeing Cholera, despite the fact that it didn’t seem to be a popular choice among critics in general (John said it was a film for us “refined critics”—this coming from a guy who once called me “trash”). Although I really wanted to see it—and although I really wanted to be considered a refined critic, it suddenly occurred to me that I just didn’t have the time to go. I had a game that needed to be reviewed and a feature article that needed to be written—and when I stopped by the mailbox, I found two DVDs that needed my attention. So I stayed home, maintaining my reputation as “trash”—a reputation that was probably only confirmed by the excitement I felt on Wednesday morning, when I showed up for the screening of Stephen King’s latest, The Mist.

On Wednesday night, though, I redeemed myself by choosing the Coen Brothers’ No Country for Old Men over the 3D version of Beowulf. Then again, perhaps I would have appeared more refined if I’d chosen the animated version of classic literature. I guess I’ll have to check with John on that to be sure. But, either way, I went with the Coen Brothers.

The screening was at The Theater Where Nobody Shuts Up. That meant that the guy ahead of me refused to turn off his cell phone (as did numerous others throughout the theater) and the pair behind us felt the need to comment on everything that was happening on-screen. And the people who’d decided to sit in the middle of our aisle decided to get into heavy debate before choosing to get up and climb over top of the rest of us mid-movie. And No Country is clearly not a brainless movie. It requires concentration that I was not allowed. So, despite the fact that I loved most of it, by the end, I was angry and confused. And I was pretty tempted to grab the cell phone out of the hands of the guy ahead of me, throw it down on the floor, and stomp on it. And I was pretty tempted to smack the people behind me around a bit. But perhaps I’m just tired and cranky.

I could, however, relate to the frustration felt by some random man at the front of the theater—who, upon seeing the screen go black, yelled, “Aw, hells to tha no!” Personally, I thought that it was just a theater screw-up (which, for this theater, wouldn’t have been anything new), and they’d just lost the last reel—but then the credits started rolling. And I was perplexed. I’m still trying to figure it all out, and I’m eagerly awaiting the award screener, so I can watch it again.

On Thursday morning, we actually had the morning off. It was strange—so strange, in fact, that I found myself panicking when I got up, thinking I had to rush to get everything done before the latest screening. Boy, was I relieved when I remembered that I had nowhere to be until 7.

After spending the day trying to get my head above water, I headed over to Neil’s place at 6—because we’d decided to carpool to The Theater Where Nobody Shuts Up, since it’s also The Theater That Has No Parking. Really, it was a tough call, deciding whether or not to go. After all, Juno doesn’t come out for another few weeks—and it had been a crazy week already. So I had to decide whether I wanted to tack one more screening onto this week’s list or hold off until one of the later screenings, in December, which is likely to be even more insane. But Jason and Neil were going, so I figure I’d go, too. And there, at The Theater Where Nobody Shuts Up, I ended up seated behind some kid with the biggest hair ever. He also had good posture. So I’m not quite sure what happened at the bottom part of the screening, but the rest of it was fun. And I got a free T-shirt out of the deal—and for once, it’s one that I’ll actually wear (unlike those creepy T-shirts that some geeks gave me at last year’s board game convention).

The rep warned me weeks ago that they were doing some serious promo for this one, and it’s worth checking out. So if you want to see it for free, check out FoxSearchlight.com to find free screenings near you.

After a four-day screening marathon, I had today free. It was glorious. But it also meant that I got to my computer this morning to groggily stare down an inbox crammed full with super-urgent emails. And, from its spot beside my computer, a ridiculously long to-do list called to me. Fortunately, though, my husband’s convalescence means that I’ll most likely have plenty of time to play catch-up over the weekend (except when I have to drive him to get a haircut). And, other than a pair of screenings on Monday, the week is free and clear. There’s also turkey and stuffing and all kinds of spare screener-viewing time involved, so I’m looking forward to it.

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